We always have high apple pie in the sky hopes for The Hunger Games franchise, but we know that Catching Fire wasn’t going to get a shot at anything but technical awards, thanks to that “We don’t recognize anything that’s popular with the peasants” Academy attitude we’ve discussed before.
So you can imagine our reaction as we read down that list of nominees…
*scanning the acting categories*
JENNIFER LAWRENCE GOT NOMINATED FOR AMERICAN HUSTLE! AYYYYYYYYY!
Admission: We haven’t actual seen American Hustle yet. We’ve heard from others that Jen was fantastic, though the movie on the whole was a bit overrated. So YAY J-LAW!
We knew it would be the coldest day in hell when the Academy considered any actor for their role in a fantasy blockbuster aimed at young adults, even ones they love like Jen, Philip Seymour Hoffman, and Stanley Tucci. Thus we’ll take little victories like actors we love getting nominated for other things.
And then…
*scanning the technical categories*
Bad Grandpa? The Lone Ranger… TWICE?! We don’t know what Disney is putting in that Academy kool-aid but DAMN, it must be powerful! But wait… No Catching Fire?!
Let’s talk costumes. Many media outlets have repeatedly discussed the possibility of Catching Fire winning the Academy Award in this category as if the nomination itself was a no-brainer. And they’re right! Trish Summerville created a showcase of brilliantly crafted designs that not only looked spectacular on film, but told the story of each individual character. The intricate detail is honestly some of the most impressive costume design we’ve ever seen. Instead, pretty but same-y era movies got the recognition instead.
How about makeup and hairstyling? Are they really giving a nomination to The Lone Ranger for throwing sloppy face paint on Johnny Depp and Jackass for making Johnny Knoxville look geriatric? Yet the outrageous Capitol hair and makeup is totally overlooked! Then again, these are the same people who said the makeup that made Meryl Streep look like Margaret Thatcher was more award-worthy than the hundreds of intricate, unique designs found in the seventh Harry Potter film.
A small part of me wonders if Capitol Couture marketing hype, including the push into clothing and makeup sales (even going back to the nail polish line for the first film) , put a bad taste in the mouths of prominent Hollywood voters. Or maybe they don’t like that the style kinda mocks them. Who knows?
Don’t even get us started on visual effects! We’re glad Peter Jackson’s WETA got nominated for Desolation of Smaug, their work alongside the rest of the FX team on Catching Fire should also get recognition over most of the films actually nominated, which probably featured MORE special effects, but not necessarily effects of the same quality.
Alas, we should just accept that we’re talking about a bunch of old white guys making picks based off studio politics and this year, there was even less variety than usual. They stuck to their faves and they stuck to them HARD. Too bad it makes them look like total asses.
OH OH OH OH OH and MUSIC! Coldplay practically tailored ‘Altas’ specifically for the Academy. Plus, they tend to get attention of awards circuits in general. Now NOTHING? Anyone? Anyone? Bueller?
Go Home, Academy. You’re Drunk.
The Girl With The Pearl