Don’t worry, you’ll still get your reaction post! It just so happens that we’re all so busy seeing the movie, we can’t find a time for all three of us to get together and TALK about it. It’s a good problem, no?
In the meantime, we’re going to give you a conventional SPOILER-FREE review to go alongside the reaction post to come!
Effie, bigger and bolder!
Let’s start from the very beginning (a very good place to staaaaart)! When Katniss and Peeta win 74th The Hunger Games and return to their new home, broken and distant. They’ve survived, but they’re tentative friendship turned showmance is tepid at best after Peeta learns Katniss’ true motivation. Not to mention that they’re both plagued with PTSD.
It all leads up to The Victory Tour, which is where Francis Lawrence really gets to sink his teeth in and show us what this movie is made of. We don’t see much of the individual districts, but we’re offered a few shots that serve as shining examples of the bigger budget and Francis’ eye for detail.
Gale gets his rebellion on
This movie is mostly character driven, which we found super refreshing. Without adding significant film time (THG and CF are actually the same length), we see Peeta, Gale, Haymitch, Effie, and Show’s roles expanded. It’s not just extra lines– the characters seem richer, with deeper personalities and more individual significance outside their relationship with Katniss and Peeta. Some people weren’t thrilled that other scenes were fast-moving, but we think it was worth it to get some character development in there.
It’s at the end of the Victory Tour that we meet Plutarch Heavensbee, portrayed with gusto by Philip Seymour Hoffman. You can’t help but marvel at his unprecedented political savvy and manipulations. He doesn’t lose his cool for a single moment and meanwhile, we were totally freaking out.
Chemistry-wise, the relationship between Katniss and Peeta seems more organic and palpable this time around. It goes without say that Jen and Josh are both extremely talented actors and dear friends in real life, which translates beautifully. That being said, Catching Fire is significantly more Gale-centric. Jen and Liam have presented a strong case for Kale/Gatniss/whatever else we want to call them. Their relationship plays off as a look at two friends falling for each other, brought together by the stress of impending rebellion, but still plants hints of what’s to come in the Mockingjay films.
When the Third Quarter Quell is announced, we finally get some new victors! And what a group they are! Sam Claflin is our Finnick. He embodies the character’s dramatic preening and sensitive soul with a stunning fluidity that we doubt we could have gotten out of many of the laughable fan suggestions that came out during casting. And it doesn’t hurt that he is really, really, ridiculously good-looking. Jena Malone is able to capture Johanna’s anger with such ease and honesty that you know it’s her true spirit, not just an act. Jeffrey Wright gives a master class in acting as he transforms so perfectly into unusual techie extraordinaire Beetee, but Amanda Plummer gets the scene-stealer award for her zany portrayal of Wiress. And Mags? Forgetaboutit! We all want to adopt Lynn Cohen as our new grandma!
With a more appropriate level of violence this time around, the Career pack actually felt menacing. Bruno Gunn’s guns and his expert snarl were intimidating. Meta Golding has the Enobaria growl down to a science. And despite being living barbies, Cashmere and Gloss were surprisingly badass. However, this group did feel a bit under-utilized given that they were meant to pose an immediate threat to Katniss’ life.
We feel you, Johanna!
The ending is heart-breaking and devastating and everything we ever wanted it to be after reading the books! We’re not saying the movie was perfect down to the very last detail. There’s a lot to consider and we’re sure everyone will find a little something to gripe about (Don’t we always?), but this movie is an extremely faithful adaptation and for us, the clear winner of the franchise so far. Though we loved Gary Ross’ work, Francis Lawrence provided us with a smart, pulse-pounding, emotional journey that had us thanking him by the end.
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