Today, Lionsgate made an announcement that actually surprised us (and not in a way that we immediately hated either, which is even more surprising!)
Yup, the Mockingjay Part 1 soundtrack is going to be put in the hands of a 17-year-old. A successful 17-year old who makes catchy original music (albeit a bit overplayed), but a teenager nonetheless. One that every other young adult with a moderate knowledge of music is looking at, whining “Dammit! I totally could’ve picked the songs for the soundtrack too!”
Here’s what F-Law had to say:
“I sat down with Lorde on the set of ‘Mockingjay’ this spring and I was immediately struck by how she so innately understood what we, as both fans and filmmakers, were trying to accomplish with the film. Her immense talent and keen understanding of Mockingjay’s characters and themes not only have enabled her to create a song of her own that completely captures the film’s essence, but her insight and passion for our project make her the perfect creative force to assemble the other songs on our soundtrack. I can’t wait to share what she’s done with the fans — it is truly remarkable.”
We continue to think positive because IN FRANCIS WE TRUST, but we have some questions.
Mainly, what happened to Alexandra Patsavas?! She’s the music supervisor who put together the stellar soundtrack for Catching Fire, a decent amount of other films (yes, including the Twilight saga, but the soundtracks were good!), and a lot of your formidable years if you’re in your twenties (via The OC and Grey’s Anatomy). We realize she’s involved in a lot of projects, but this one is BIG and exciting and it would have been nice to have her curating.
Secondly, how eclectic is Lorde willing to go in her “curating” choices? Her music isn’t easily categorized in one genre (alt pop? electropop?), but that doesn’t mean she won’t lean toward a certain style. There’s two ways she could go–
1) All T-Bone Burnett on us, with a very distinct sound and style based on a theme, like the first soundtrack.
2) A more rounded approach that captures multiple themes and moments, more like the second soundtrack.
Personally, we’re better fans on the second approach, but we know lots of people prefer the first. The first soundtrack outsold the second, so what do we know?
But that leads to this: Who’s doing the soundtrack for Mockingjay Part 2 and how will the two mesh? Maybe you’ll disagree, but we think that while The Hunger Games’ and Catching Fire’s soundtracks are their own entity, the two Mockingjay soundtracks should complement each other. Yes, Lionsgate and the filmmakers will try to argue it’s two very different stories even though it’s from the same book (to justify the split, of course)– the emotional story and the war story or something similar– but it’s all Mockingjay and there’s a ton of similar emotions running through the WHOLE story. We think there should be a similarity and a wholeness between Part 1 and Part 2’s soundtrack.
Now, let’s get to her actual music involved…
Are we completely, totally blown out of the water by the idea of Lorde creating a single for the Mockingjay Part 1 soundtrack? Not really. We imagine it’s more of a smart business decision to get a big-selling, popular name repping the soundtrack. Yes, Lorde WAS on the CF soundtrack, but she wasn’t the face of it. Coldplay was, despite the fact that their music typically appeals to a crowd much older than The Hunger Games’ demographic, and Christina Aguilera was, despite her music under-performing in recent years and her song being one of the blandest in the arrangement, to boot. On the other hand, THG went with tween favorite Taylor Swift and scored big in sales, despite many fans not loving her involvement.
So we don’t know if Lorde is the perfect choice, but all things considered, she’s probably the best artist rep so far. Let’s hope she’s good at picking out other songs with a variety of emotional meanings, too.
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